Once Upon A Time in America: The Use of the Mirror

Directed by Sergio Leone, Once Upon a Time in the States is a film that is placed as one of the top mobster icons ever assembled. The epic film chronicles the lives and loves of a linchpin ring of Jewish mobsters from Brooklyn. Beginning with their boyhood in the 1920s, the film covers the composition from the point in time of view of the aging troupes tricksy ringleader, Noodles. He recounts the tale of a life filled with brutality, violence, betrayal, and love. besides in Once Upon A Time In the States we find trails of this expressive tincture in the treatment of an particle repeated in this Leones films: the get image which is demonstrated by dint of the use of mirrors in this film.

The starting line mirror of the movie is that of the already commented sequence of the bus mail which Noodles sees his face of an emeritus man reflected on to the sound of yesterday (from which Morricone conveniently eliminates the lyrics with the riddance of the first word: Yesterday, in enact to make us recall the song and recognize that we dont reckon the lyrics anymore) ;in a first moment the spectator could realise the look of Robert De Niro as nostalgia of a lost youth, something that the music contributes to, stock-still a repeated vision of the film allows us to find his heed as a remembrance of the words the electric shaver Deborah told him liter years back, but forward in the film, in comportment of a mirror like this: Look at yourself in the mirror, Noodles obliging him cruelly to face his reality, hitting him with her high grapheme as an unreachable beauty and a s a mortal who will be able to succeed. Th! e bitter descry of this jejune Noodles in the second mirror is, in fact, the same gaze of... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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